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UID:5b37da2eeaa018fd52aa91b1d3e691fb
CATEGORIES:{lang en}Concerts{/lang}{lang nl}Concerten{/lang}
CREATED:20260917T200743
SUMMARY:A tribute to a virtuoso: oboe concertos around Sammartini
GEO:4.74392414;52.63386917
LOCATION:Alkmaar, Theater de Vest - Canadaplein 2, Alkmaar, , 1811 KE, Nederland
DESCRIPTION:<h6>Accademia Amsterdam performs in chamber formation with oboe, recorder a
 nd harpsichord concertos&nbsp;by “the greatest oboist the world has ever kn
 own”. The programme draws connections with contemporaries Vivaldi, Handel, 
 Albinoni,&nbsp; Scarlatti (including keyboard sonatas) and&nbsp;Avison.</h6
 ><p>This programme was compiled by oboist Onno Verschoor, after years of re
 search into manuscripts. It has resulted in a rich and highly varied listen
 ing experience, with well-known and lesser-known concertos.</p><p><strong>N
 otes</strong><br /><img src="images/jevents/G-Sammartini.jpg" width="50%" a
 lt="G Sammartini" class="sm-img-fullw" style="margin: 4px 0px 4px 8px; bord
 er: 1px solid #272425; float: right;" />At the end of the 17th century and 
 in the first half of the 18th century, the oboe enjoyed an unprecedented fl
 owering. In France, the Hotteterre brothers developed the instrument from t
 he shawm, and it had become a ‘civilised’ instrument, suitable for use in a
 rt music. Louis XIV founded an orchestra consisting solely of oboes and bas
 soons. Its spread across Europe could not be stopped: virtuosos travelled t
 o Germany, the Netherlands, England and Italy.<br />So too did the father o
 f the ‘hero’ of this programme, Alexis Saint-Martin, who settled in Milaan.
  Several of his children also became oboists, of whom Giuseppe developed in
 to the ‘Heinz Holliger’ of his day. To display his virtuosity, he composed 
 his own concertos, incorporating difficulties that only he could perform. A
 t the age of 33, Sammartini left for Londen, where he played solos in Hande
 l’s orchestra and worked with the famous castrato Farinelli.<br />It was in
  this city that he displayed the Italian “concerto style” with which Vivald
 i had become so famous in Europe. Handel was undoubtedly inspired by him, a
 s witnessed by the beautiful solo passages for oboe in his oratorios and co
 ncerti grossi.<br />Another composer in England had been inspired by an Ita
 lian: Charles Avison reworked harpsichord sonatas by Domenico Scarlatti int
 o concerti grossi, adding a note of his own here and there.<br />The Veneti
 ans Vivaldi and Albinoni composed beautiful concertos for oboe, perhaps wit
 h Sammartini’s oboe sound in mind. Be that as it may, even Bach was greatly
  impressed by their compositions and arranged them for solo organ.<br />He 
 was praised by Quantz and other cultural critics as: “[…] the greatest oboi
 st ever, with a remarkable tone that approached the quality of the human vo
 ice […]” Sammartini’s beautiful and virtuosic music was published in Amster
 dam in his day, which is an additional reason for Accademia Amsterdam to co
 mpile a programme around his concertos.</p><p><strong>Programme</strong></p
 ><ul><li>Giuseppe Sammartini (Milan, 1695 – London, 1750)<br />Grand Concer
 to (Overture) in G minor, Op. 8 No. 5</li><li>Charles Avison (Newcastle upo
 n Tyne, 1709 – 1770) / Domenico Scarlatti (Naples, 1685 – Madrid, 1757)<br 
 />Concerto after Scarlatti in D minor, No. 5, interspersed with several sol
 o sonatas for harpsichord</li><li>George Frideric Handel (Halle an der Saal
 e, 1685 – London, 1759)<br />Sonata in G major, HWV 399, for strings</li><l
 i>Tomaso Albinoni (Venice, 1671 –1751) <br />Oboe Concerto in D minor, Op. 
 9 No. 2</li><li>Giuseppe Sammartini (Milan, 1695 – London, 1750)<br />Recor
 der Concerto in F major / Harpsichord Concerto in F major, Op. 9 No. 2</li>
 <li>Antonio Vivaldi (Venice, 1678 – Vienna, 1741)<br />Oboe Concerto in A m
 inor, RV 461</li></ul><p><strong>Musicians</strong><br />Onno Verschoor – b
 aroque oboe, recorder and artistic direction<br />Ursula Dütschler – harpsi
 chord<br />Mariëtte Holtrop, Jan Pieter van Coolwijk – baroque violin<br />
 Niek Idema – baroque viola<br />Gadze Heeres – baroque cello<br />Hendrik-J
 an Wolfert – violone</p><p><strong>Concert tickets and more information</st
 rong></p><p><a href="https://theaterdevest.nl/tickets/seizoen-26-27/stichti
 ng-alkmaarse-kamermuziek-accademia-amsterdam-barokensemble/?showId=49926809
 7-1741593903" target="_blank" rel="noopener">Stichting Alkmaarse Kamermuzie
 k</a></p> This event was imported from: https://accademia-amsterdam.nl/en/w
 elcome/events/804/a-tribute-to-a-virtuoso-oboe-concertos-around-sammartini-
 geo-4-74392414-52-63386917?tmpl=component
X-ALT-DESC;FMTTYPE=text/html:<h6>Accademia Amsterdam performs in chamber formation with oboe, recorder a
 nd harpsichord concertos&nbsp;by “the greatest oboist the world has ever kn
 own”. The programme draws connections with contemporaries Vivaldi, Handel, 
 Albinoni,&nbsp; Scarlatti (including keyboard sonatas) and&nbsp;Avison.</h6
 ><p>This programme was compiled by oboist Onno Verschoor, after years of re
 search into manuscripts. It has resulted in a rich and highly varied listen
 ing experience, with well-known and lesser-known concertos.</p><p><strong>N
 otes</strong><br /><img src="https://accademia-amsterdam.nl/images/jevents/
 G-Sammartini.jpg" width="50%" alt="G Sammartini" class="sm-img-fullw" style
 ="margin: 4px 0px 4px 8px; border: 1px solid #272425; float: right;" />At t
 he end of the 17th century and in the first half of the 18th century, the o
 boe enjoyed an unprecedented flowering. In France, the Hotteterre brothers 
 developed the instrument from the shawm, and it had become a ‘civilised’ in
 strument, suitable for use in art music. Louis XIV founded an orchestra con
 sisting solely of oboes and bassoons. Its spread across Europe could not be
  stopped: virtuosos travelled to Germany, the Netherlands, England and Ital
 y.<br />So too did the father of the ‘hero’ of this programme, Alexis Saint
 -Martin, who settled in Milaan. Several of his children also became oboists
 , of whom Giuseppe developed into the ‘Heinz Holliger’ of his day. To displ
 ay his virtuosity, he composed his own concertos, incorporating difficultie
 s that only he could perform. At the age of 33, Sammartini left for Londen,
  where he played solos in Handel’s orchestra and worked with the famous cas
 trato Farinelli.<br />It was in this city that he displayed the Italian “co
 ncerto style” with which Vivaldi had become so famous in Europe. Handel was
  undoubtedly inspired by him, as witnessed by the beautiful solo passages f
 or oboe in his oratorios and concerti grossi.<br />Another composer in Engl
 and had been inspired by an Italian: Charles Avison reworked harpsichord so
 natas by Domenico Scarlatti into concerti grossi, adding a note of his own 
 here and there.<br />The Venetians Vivaldi and Albinoni composed beautiful 
 concertos for oboe, perhaps with Sammartini’s oboe sound in mind. Be that a
 s it may, even Bach was greatly impressed by their compositions and arrange
 d them for solo organ.<br />He was praised by Quantz and other cultural cri
 tics as: “[…] the greatest oboist ever, with a remarkable tone that approac
 hed the quality of the human voice […]” Sammartini’s beautiful and virtuosi
 c music was published in Amsterdam in his day, which is an additional reaso
 n for Accademia Amsterdam to compile a programme around his concertos.</p><
 p><strong>Programme</strong></p><ul><li>Giuseppe Sammartini (Milan, 1695 – 
 London, 1750)<br />Grand Concerto (Overture) in G minor, Op. 8 No. 5</li><l
 i>Charles Avison (Newcastle upon Tyne, 1709 – 1770) / Domenico Scarlatti (N
 aples, 1685 – Madrid, 1757)<br />Concerto after Scarlatti in D minor, No. 5
 , interspersed with several solo sonatas for harpsichord</li><li>George Fri
 deric Handel (Halle an der Saale, 1685 – London, 1759)<br />Sonata in G maj
 or, HWV 399, for strings</li><li>Tomaso Albinoni (Venice, 1671 –1751) <br /
 >Oboe Concerto in D minor, Op. 9 No. 2</li><li>Giuseppe Sammartini (Milan, 
 1695 – London, 1750)<br />Recorder Concerto in F major / Harpsichord Concer
 to in F major, Op. 9 No. 2</li><li>Antonio Vivaldi (Venice, 1678 – Vienna, 
 1741)<br />Oboe Concerto in A minor, RV 461</li></ul><p><strong>Musicians</
 strong><br />Onno Verschoor – baroque oboe, recorder and artistic direction
 <br />Ursula Dütschler – harpsichord<br />Mariëtte Holtrop, Jan Pieter van 
 Coolwijk – baroque violin<br />Niek Idema – baroque viola<br />Gadze Heeres
  – baroque cello<br />Hendrik-Jan Wolfert – violone</p><p><strong>Concert t
 ickets and more information</strong></p><p><a href="https://theaterdevest.n
 l/tickets/seizoen-26-27/stichting-alkmaarse-kamermuziek-accademia-amsterdam
 -barokensemble/?showId=499268097-1741593903" target="_blank" rel="noopener"
 >Stichting Alkmaarse Kamermuziek</a></p> This event was imported from: http
 s://accademia-amsterdam.nl/en/welcome/events/804/a-tribute-to-a-virtuoso-ob
 oe-concertos-around-sammartini-geo-4-74392414-52-63386917?tmpl=component
DTSTAMP:20260922T075509Z
DTSTART;TZID=Europe/Amsterdam:20261027T201500
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